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Washington, DC Metro Station on a cold January morning in 2007. The man with a violin played six Bach pieces for about 45 minutes. During that time approximately. 2 thousand people went through the station, most of them on their way to work. 
4 minutes later:The violinist received his first dollar: a woman threw the money in the hat and, without stopping, continued to walk.
6 minutes:A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.
10 minutes:A 3-year old boy stopped but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head all the time. This action was repeated by several other children. Every parent, without exception, forced their children to move on quickly.
45 minutes:The musician played continuously. Only 6 people stopped and listened for a short while. About 20 gave money but continued to walk at their normal pace. The man collected a total of $32.
1 hour:He finished playing and silence took over. No one noticed. No one applauded, nor was there any recognition.
No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars. Two days before Joshua Bell sold out a theater in Boston where the seats averaged $100.
This is a true story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and people’s priorities.
The questions raised:
In a common place environment at an inappropriate hour, do we perceive beauty?
Do we stop to appreciate it?
Do we recognize talent in an unexpected context?
One possible conclusion reached from this experiment could be this:
If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made…
How many other things are we missing?

Washington, DC Metro Station on a cold January morning in 2007. The man with a violin played six Bach pieces for about 45 minutes. During that time approximately. 2 thousand people went through the station, most of them on their way to work. 

4 minutes later:
The violinist received his first dollar: a woman threw the money in the hat and, without stopping, continued to walk.

6 minutes:
A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.

10 minutes:
A 3-year old boy stopped but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head all the time. This action was repeated by several other children. Every parent, without exception, forced their children to move on quickly.

45 minutes:
The musician played continuously. Only 6 people stopped and listened for a short while. About 20 gave money but continued to walk at their normal pace. The man collected a total of $32.

1 hour:
He finished playing and silence took over. No one noticed. No one applauded, nor was there any recognition.

No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars. Two days before Joshua Bell sold out a theater in Boston where the seats averaged $100.

This is a true story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and people’s priorities.

The questions raised:

  • In a common place environment at an inappropriate hour, do we perceive beauty?
  • Do we stop to appreciate it?
  • Do we recognize talent in an unexpected context?

One possible conclusion reached from this experiment could be this:

If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made…

How many other things are we missing?

umacasaemtroia:

dollyrose: “If her arms were up and pinned under his, this would be perfection”

umacasaemtroia:

dollyrose: “If her arms were up and pinned under his, this would be perfection”

It’s just gonna be ok.

I tried to call my mother, but
She didn’t get where I was going
I called my boyfriend and he said
Call me back a little later baby
I hung up the phone, I felt so alone
Started to feel a little pity
That’s when I realized that I
Gotta find the joy inside of me

[Chorus]

I’m gonna take off all my clothes
Look at myself in the mirror
We’re gonna have a conversation
We’re gonna heal the disconnection
I don’t remember when it started
But this is where it’s gonna end
My body is beautiful and sacred
And I’m gonna celebrate it

Eu estou bem aqui AS WELL!


Show me slowly what I only know the limits of.

Show me slowly what I only know the limits of.

Sepia toned love letters.

pelle d’oca

No one laughs at God in a hospital
No one laughs at God in a war
No one’s laughing at God
When they’re starving or freezing or so very poor

No one laughs at God
When the doctor calls after some routine tests
No one’s laughing at God
When it’s gotten real late and their kid’s not back from the party yet

No one laughs at God
When their airplane starts to uncontrollably shake
No one’s laughing at God
When they see the one they love hand in hand with someone else
And they hope that they’re mistaken

No one laughs at God
When the cops knock on their door
And they say we got some bad news, sir
No one’s laughing at God
When there’s a famine or fire or flood

But God could be funny
At a cocktail party when listening to a good God themed joke or
Or when the crazies say He hates us
And they get so red in the head you think they’re ‘bout to choke

God could be funny
When told he’ll give you money if you just pray the right way
And when presented like a genie who does magic like Houdini
Or grants wishes like Jiminy Cricket and Santa Claus
God can be so hilarious

No one laughs at God in a hospital
No one laughs at God in a war
No one’s laughing at God
When they’ve lost all they’ve got and they don’t know what for

No one laughs at God
On the day they realize that the last sight they’ll ever see
Is a pair of hateful eyes
No one’s laughing at God
When they’re saying their goodbyes

But God could be funny
At a cocktail party when listening to a good God themed joke or
Or when the crazies say He hates us
And they get so red in the head you think they’re ‘bout to choke

God could be funny
When told he’ll give you money if you just pray the right way
And when presented like a genie who does magic like Houdini
Or grants wishes like Jiminy Cricket and Santa Claus
God can be so hilarious

No one laughs at God in a hospital
No one laughs at God in a war
No one laughs at God in a hospital
No one laughs at God in a war

No one laughing at God in a hospital
No one’s laughing at God in a war
No one’s laughing at God
When they’re starving or freezing or so very poor

No one’s laughing at God
No one’s laughing at God
No one’s laughing at God
We’re all laughing with God